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TSUGUMI OHBA
ORIGINAL ART BY
TAKESHI OBATA

Training: Bachelor of Arts in Psychological and Behavioural Sciences, University of Cambridge
Theatre credits include: Luke in The Lightning Thief: The Percy Jackson Musical (The Other Palace), Connor Murphy in Dear Evan Hansen, Curtis in Late Company, Nathan in The Full Monty (Pangdemonium, Singapore), Fleance in Macbeth (SRT, Singapore)
Film credits include: Dream Stall
Television credits include: Beyond Paradise Season 4

Theatre credits include: Hamlet, Snow in Midsummer, Love’s Sacrifice, The Jew of Malta, Volpone, Wendy and Peter Pan (RSC), Little Shop of Horrors (Sheffield Crucible), My Brilliant Friend (National Theatre), After Edward, Edward II, The Secret Theatre, Macbeth, The Lightning Child (Shakespeare’s Globe), Frankenstein (Royal Exchange Theatre), Shakespeare in Love (Disney/Sonia Friedman Productions), A Midsummer Night’s Dream (Northampton Royal & Derngate), deadkidsongs (Theatre Royal Bath), The Importance of Being Earnest (Riverside Studios), I Was Looking at the Ceiling and Then I Saw the Sky (Theatre Royal Stratford East/Barbican), A Christmas Carol (Birmingham REP)
Television credits include: Wolf King (Netflix), Boundless (Amazon), A Ghost Story for Christmas: Lot No. 249, Casualty, Death in Paradise, Shakespeare and Hathaway, Doctor Who, Leonardo, Hounded, Shelfstackers (BBC)
Video game credits include: Hades II (Supergiant Games), Final Fantasy XIV (Square Enix), The Last Story (Nintendo).

Training: Bachelor of Fine Arts in Music Theatre, Elon University
Theatre credits include: Mary Magdalene in Jesus Christ Superstar (Goodspeed Opera House), Ariel in The Little Mermaid (Disney Cruise Line), Headlining Hawaiian Artist in Rock-a-Hula Hawaii (Royal Hawaiian Theatre)
Other work includes: Work on set of NCIS: Hawaii and Magnum PI. Stephanie is an up-and-coming recording artist based in Hawaii.

Training: Bachelor of Fine Arts, Carnegie Mellon University
Theatre credits include: The Phantom of the Opera in Masquerade (Lee’s Art Shop), Aladdin in Disney’s Aladdin (The New Amsterdam), Sam Kimura in Allegiance (Longacre & Charing Cross), Angel in Rent (Nederlander, The Hollywood Bowl), Boq in Wicked (James Nederlander Theatre, Chicago), Pacific Overtures (Studio 54), Flower Drum Song (August Wilson Theatre), George in My Best Friend’s Wedding (Ogunquit Playhouse), Wei Tung in Wedding Banquet (Taipei Performing Arts Center), Peter in Jesus Christ Superstar (Theatre Orb, Tokyo), Pete in The World of Extreme Happiness (Manhattan Theatre Club), Lucentio in Taming of the Shrew (Shakespeare Theater Company), Song in M. Butterfly (Philadelphia Theatre Company), Teen Angel in Grease (Paper Mill Playhouse), Lun Tha in The King and I (Sacramento Music Circus), Harold Bride in Titanic and Barnaby in Hello, Dolly! (The St. Louis MUNY)
Television credits include: Marcel in Warrior, Wes the Warbler in Glee, Grey’s Anatomy, Instinct, Odd Mom Out, Deadbeat, Law & Order: Criminal Intent
Recordings include: “I’ll Cover You”, “Songs for You”, “New York State of Mind (The Remixes)”, “All I Want for Christmas is You”, “You Matter”, and many original Broadway cast recordings
Other work includes: Yellow Face (Director), The Nice List (Producer)

Training: Guildford School of Acting
Theatre credits include: Natasha Rostova in Natasha, Pierre & The Great Comet of 1812 (Shanghai Grand Theatre 2026 concert), Lucy in 13 Going on 30 (Manchester Opera House), Karen Smith in Mean Girls (Original West End Cast), Izzy in The Great British Bake Off: The Musical (Noël Coward Theatre), Betty Haynes in White Christmas (Sheffield Crucible), Ami in Before After (Southwark Playhouse), Cinderella in Rodgers & Hammerstein’s Cinderella (Hope Mill Theatre), Pilar in Legally Blonde (Regent’s Park Open Air Theatre), Alternate Juliet in & Juliet (Original Cast/Manchester Opera House/Shaftesbury Theatre), Original Super Swing & Alternate in SIX: The Musical (Original West End Cast/UK Tour), Chloe in Be More Chill (Shaftesbury Theatre), Hair (Turbine Theatre/London Palladium), Closer Than Ever (Charing Cross Theatre/Broadway HD), and Spring Awakening (Leicester Curve)
Other work includes: Alongside her theatre work, Grace is a member of SVN, the girl group formed by the Original Cast of SIX, who toured China in 2026

Training: Psychology, Rutgers University
Theatre credits include: Florenz Ziegfeld in Funny Girl (Broadway), Manjiro in Pacific Overtures (Broadway), Breakfast at Tiffany’s (Broadway), The King and I (Broadway), Kurt Huber in White Rose: The Musical (Off-Broadway), Arthur in The Unsinkable Molly Brown (Off-Broadway), Tommie Haw in Bella (Off-Broadway, Lortel nominee), Eglamour in Two Gentlemen of Verona (Delacorte Theater – Shakespeare in the Park), King of Siam in The King and I (Lyric Opera of Chicago), Louis Bohne in Madame Clicquot (PCLO), Beaufort / Mr. Van Der Luyden in The Age of Innocence (Arena Stage), Capt. Georg Von Trapp in The Sound of Music (DTC), Larry in Benny & Joon (Paper Mill Playhouse), Sam in Mamma Mia (5th Avenue Theater), Carl Magnus in A Little Night Music (ACT)
Film credits include: The Prince in Rodgers and Hammerstein’s Cinderella, King Charming in Descendants: The Rise of Red and the upcoming Descendants: Wicked Wonderland, Asian Persuasion, The Girl Who Left Home, The Adjustment Bureau, Just Wright, The Great Raid
Television credits include: Kung Lao in Mortal Kombat: Conquest, Law & Order: SVU, Madame Secretary, The Blacklist
Recordings: “Capricorn (Gravity)” from Retrograde The Musical, Paolo Montalban (self-titled), Fusong
Other work includes: Suites By Sondheim (Lincoln Center – Alice Tully Hall)

Training: Royal Academy of Music and Harvard University
Theatre credits include: Standby Rapunzel in Into The Woods (Bridge Theatre), Princess Mary/Cover Natasha in Natasha, Pierre & the Great Comet of 1812 (Donmar)
Theatre credits while training include: Carrie in Carousel, Josephine in H.M.S. Pinafore, Joanna in Sweeney Todd, and Jerusha in Daddy Long Legs (Royal Academy of Music)
Concerts include: Throwback Lounge (The Other Palace), RepresentAsian (Phoenix Arts Club), and ‘Iolani Palace: A Celebration for Queen Kapi’olani (Hawai’i Opera Theatre)
Film credits include: Moment by Moment (Future Spotlight Productions)
Television credits include: the 2025 Laurence Olivier Awards (ITV) and the 2026 Laurence Olivier Awards (BBC)
Recording credits include: Gearheads: The Musical (London Musical Theatre Orchestra)

Training: Bachelor of Arts (Honours) Musical Theatre, Italia Conti Academy of Theatre Arts
Theatre credits while training include: Fraulein Knuppledick in Spring Awakening (Rhoda McGaw Theatre), featured as Roxie in Chicago (Third Year Showcase, Piccadilly Theatre)
Death Note marks Elsie’s professional debut.

Training: Bachelor of Arts in Musical Theatre, ArtsEd London
Theatre credits while training include: Patsy in Crazy For You (Andrew Lloyd Webber Foundation Theatre), Ensemble/Dance Captain in London Road (Andrew Lloyd Webber Foundation Theatre)
Death Note marks CJ’s professional debut.

Training: The Urdang Academy
Theatre credits include: Represent Asian UK: Volume Six (Phoenix Arts Club), Carabosse in Sleeping Beauty (Little Wolf Entertainment, Assembly Hall Theatre)
Theatre credits while training: Jane Eyre in Jane Eyre The Musical, Beth Spencer in Merrily We Roll Along

Training: Bachelor of Arts in Musical Theatre, Mountview
Theatre credits include: Catherine Parr in Six The Musical (UK/International Tour), Mary Sheldon/Vocal Captain in The Crucible (National Theatre), Nancy in I Was A Teenage She-Devil (The Other Palace), Mother in Pop Off Michelangelo (Soho Underbelly Boulevard and Edinburgh Fringe), Tink in The All New Adventures of Peter Pan (The Grove Theatre), and Pepper in Annie (2010 Asia Tour)
Television credits include: Rachel in Downforce (Pilot – Hulu/ABC)
Recordings include: Sam in Flip the Musical
Workshops include: Iris in Lost in Love (Runaway Entertainment), Jin in Swag Age: Shout out, Joseon! (Olympia Stage Ltd), and Eun-sook Lee in 128 Tongindong (Junyoung Kim Productions)

Training: Liverpool Institute for Performing Arts
Theatre credits: Freaky Friday the Musical (HOME Manchester), Prologue Company in Cabaret (Kit Kat Club, West End), Variety Live at the Empire (Liverpool Empire Theatre)
Other work credits: The Empire Strips Back: Burlesque Parody (Hammersmith Riverside Studio), Boomtown Festival: Opening Ceremony (Grand Central Stage), Black Mirror (Netflix), Levi’s GLOBAL Campaign (commercial), KFC (commercial), Debenhams (Commercial)

Training: Bachelor of Arts (Honours) in Dance and Musical Theatre, The Urdang Academy
Theatre credits while training include: Teen Queen in We Will Rock You, Ensemble in Nine, Featured Dancer in The Dance School of Scotland’s Annual Show, June in Gypsy
Other work includes: Ensemble/Dancer in Annie Remix by Stage Box (Music Video)

Training: English National Ballet School, New Earth Theatre
Theatre credits include: Billy in Billy Elliot (Victoria Palace Theatre), Aladdin in Aladdin (Stephen Joseph Theatre), Night of New Work (Royal Exchange Theatre), Flute in Something Rotten! In Concert (Theatre Royal Drury Lane), Matthew in Existential (The Lowry)
Film credits include: Wicked (Universal), Greatest Days (Elysian Film Group), Framed Between Two (Pipmonk Productions), Filter (Brew Up Productions)
TV credits include: Kaos (Netflix), Hollyoaks (Lime Pictures), Domino Day (BBC 3), Waterloo Road (BBC), Everything I Know About Love (BBC), Dracula (BBC 4), Victoria (BBC)
Other work includes: Fable (Playground Games), Flight 149: Hostage of War (Sky Studios), Everyone We Know Has Kids (Middle Child), Clive in The Nutcracker Workshop (The McOnie Company), Merlin in Merlin (Northern Ballet), Bruno in The Boy in Striped Pajamas (Northern Ballet), Romeo in Romeo and Juliet (Les Ballet de Monte Carlo)

Training: Master of Arts in Musical Theatre, Royal Academy of Music
Theatre credits include: Montparnasse, Cover Bishop, and Cover Bamatabois in Les Misérables: Arena Spectacular (World Tour), Onstage Swing in Pacific Overtures (Menier Chocolate Factory), Ensemble in Miss Saigon (Crucible Theatre), Montparnasse and Cover Bamatabois in Les Misérables (UK Tour and Sondheim Theatre)
Theatre credits while training include: Bobby Strong in Urinetown, Various in Sondheim at 90: A Stephen Sondheim Tribute
Other work includes: Voice Over in Nautilus (Disney+), Singer in Come Alive! The Greatest Showman Circus Spectacular (Workshop)

Training: Diploma in Professional Musical Theatre and Acting, Sharpe Academy
Theatre credits include: Ensemble/Cover Baby Doll in Moulin Rouge! (World Tour), Ensemble/Cover Attendant in Disney’s Aladdin (UK & Ireland Tour), Rosie/Ensemble in Bugsy Malone (UK Tour) and Ginger in The Night Before Christmas (Harrow Arts Centre)

Training: Mountview Academy of Theatre Arts
Theatre credits include: Hamilton (UK & Ireland Tour), Witness for the Prosecution (County Hall), Pacific Overtures (The Menier Chocolate Factory), Death Note (Lyric Theatre), Miss Saigon (Sheffield Crucible), Allegiance (Charing Cross Theatre), But I’m A Cheerleader (Turbine Theatre) and The Sorcerer’s Apprentice (Northern Stage)
Workshop credits include: Tinker Bell the Musical (Red Productions) and Just For One Day (Jamie Wilson Productions)
Other credits include: The Show Must Go On! Live (Palace Theatre), Magic at the Musicals (Royal Albert Hall) and West Side Story (BBC Proms)

Training: Bachelor of Arts (Honours) in Music (Songwriting & Performance), The Liverpool Institute for Performing Arts
Theatre credits include: Miles Bourne in The Gardening Club (New Wimbledon Theatre), Cliff Watson in The Gardening Club (Edinburgh Festival Fringe)
Recordings include: Embers (EP), All The Little Things (EP)

Training: Bachelor of Arts (Honours) in Contemporary Dance, Northern School of Contemporary Dance
Credits include: Dancer in The Polar Express (Warner Brothers), dancer in PinkPantheress’ “Tonight” (Music Video), dancer in Yard Act’s “Petroleum” and “Trench Coat Museum” (Music Video), dancer for Crown by Company SHE (UK tour), Shake Shack (Commercial), movement artist for the restage of Trisha Brown’s Early Works and Simone Forti’s Dance Constructions (National Gallery Singapore)
Death Note marks Regine’s professional debut.

Training: Bachelor of Arts (Honours) in Musical Theatre, Guildford School of Acting
Theatre credits include: Shadowlands (Aldwych Theatre), Clueless – The Musical (Trafalgar Theatre), Your Lie In April (Harold Pinter Theatre), Miss Saigon (Sheffield Crucible), Jack and The Beanstalk (Yvonne Arnaud Theatre), Dick Whittington (Yvonne Arnaud Theatre)
Concerts include: Unbound – The Musical in Concert (Hoxton Hall), Your Lie In April (Theatre Royal, Drury Lane), Children Of Eden (Cadogan Hall), West End Does: Love (Cadogan Hall), One Young World: Opening Ceremony (Royal Albert Hall)
Cast Recordings include: Unbound: Alive in Concert, Your Lie In April

Training: Bird College of Performing Arts
Theatre credits include: Ensemble in Disney’s Hercules the Musical (Original Cast, Theatre Royal Drury Lane), Janet Lundy/Cover Wanda and Flamenco in Mrs Doubtfire (Shaftesbury Theatre), Swing in Mrs Doubtfire (Original Cast, Shaftesbury Theatre), Empress in Aladdin (Kenneth Moore Theatre), Ensemble and 1st Cover Ali in Mamma Mia! (Novello Theatre), Dance Captain, Ensemble and Understudy Wicked Queen in Snow White & The Seven Dwarfs (Alhambra Theatre), Ensemble in Wicked (Apollo Victoria Theatre), Laker Girl, Monk, Dancer and Cover Minstrel in Spamalot (Frankfurt), Ensemble Cover Buffy, Ashley and Components in Starlight Express (Germany)
Television credits include: Roller Girl in Hunky Dory’s Buffalo Is How We Roll (Boogie Films), Dinner Guest in M&S ‘Spend It Well’ Campaign (Riff Raff) and Dancer in Oscar #Worldpeace ft. Ace Tee – Twix (Blink)

Training: Bachelor of Arts (Honours) Professional Dance and Musical Theatre, The Urdang Academy
Theatre credits include: Original Tassita & Swing in Starlight Express (Troubadour Theatre), Starlight Express (Royal Variety Performance at the Royal Albert Hall)
Recordings include: Andrew Lloyd Webber’s Starlight Express (2024)

Training: Western Australian Academy of Performing Arts
Theatre credits include: Titanique (Criterion Theatre/Lido2Paris), Miss Saigon (International & Australian tour, GWB/Cameron Mackintosh Ltd/Opera Australia), Elf the Musical (Sydney Opera House/Crossroads Live), Moulin Rouge! (Original Australian Company, Global Creatures), Muriel’s Wedding (World Premiere & Australian tour, Global Creatures/Sydney Theatre Company), The Secret Garden, Anything Goes (Opera Australia/Gordon Frost Organisation), Showboat (The Production Company); Miss Saigon (Packemin)
Television credits include: Paddington Bareback in the TV Series, Why Are You Like This (ABC/Netflix)
Multi-Grammy, Tony, and Emmy Award nominated composer/producer Frank Wildhorn’s works span the worlds of popular, theatrical, jazz, R&B and classical music. In 1999, Frank became the first American composer in 22 years to have three shows running simultaneously on Broadway with Jekyll & Hyde, The Scarlet Pimpernel and The Civil War.
Also for Broadway: Bonnie & Clyde, Dracula, Victor/Victoria, Wonderland, and the revival of Jekyll & Hyde. West End: Bonnie & Clyde, Your Lie In April, Death Note the Musical (summer 2026), Death Note the Musical in Concert, and Your Lie In April the Musical in Concert. International: Beau Brummell: A Man Too Beautiful, Carmen, Camille Claudel, Casanova, Cyrano, Death Note, Einstein: A Matter of Time, Fist of the North Star, Kane and Abel, Mata Hari, Mitsuko, Never Say Goodbye, No Longer Human, Rudolf, Tears of Heaven, The Count of Monte Cristo, The Man Who Laughs, Your Lie in April and Xcalibur.
Upcoming: Chimney Town The Musical, Mac & Beth, Orlando, Reunion, Song of Bernadette and Van Gogh In Love. He produced Harlem Song at the famed Apollo Theatre. The Korea Times recently proclaimed Wildhorn as “Korea’s most beloved musical composer”. He is the first American to be named Best Musical Composer in China (No Longer Human, 2024). The Vienna Symphony Orchestra recorded Wildhorn’s third full-length symphony, “Vienna” in Spring 2026 adding to a collection that includes the “Odessa,” named after his mother’s Ukrainian birthplace, and the “Donau Symphonie”.
All were recorded at the renowned MusikVerein. Europe’s MusicalZentrale lauded his “Donau Symphonie” for completely reinventing the composer’s style and bridging the gap between light and serious music. Frank Wildhorn’s The Symphonic Suites, new symphonic interpretations of four of his celebrated musical theatre scores — including Dracula, Jekyll & Hyde, Einstein: A Matter of Time, and Artus Excalibur (aka XCalibur) — was released at the start of 2026, recorded by The Vienna Independent Orchestra. Orchestral performances continue to evolve around the world under the ‘Frank and Friends’ marquee.
Also in 2025/6, recordings were released for the musicals: Einstein: A Matter of Time; Your Lie In April: The Musical – Original London Cast Recording; Kane and Abel the Musical; Rudolf; Wonderland; Dracula the Musical and the jazz infused Frank Wildhorn and Friends Live in Las Vegas with Jane Monheit and Clint Holmes. Disney+ Korea premiered three Wildhorn musicals for streaming — The Man Who Laughs, XCalibur and MonteCristo in August 2025. Frank wrote the Cartier Symphonic Suite for the famed Jewelers’ 2024 gala celebration in Seoul. Among the artists who have recorded and performed Frank’s works: Whitney Houston (#1 international hit “Where Do Broken Hearts Go?”), Natalie Cole, Kenny Rogers, Sammy Davis, Jr., Liza Minnelli, Julie Andrews, Hootie & the Blowfish, The Moody Blues, Johnny Mathis, Linda Eder, Freddie Jackson, Trisha Yearwood, Stacy Lattisaw, Molly Hatchet, Blues Traveler, Trace Adkins, Patti LaBelle, Jeffrey Osborne, BeBe Winans, Amy Grant, Anthony Warlow, to name a few.
He received the prestigious Charles Dickens Award from USC, where there is a scholarship under his name.
Broadway/West End credits include: Death Note: The Musical (book), Bonnie & Clyde (book), Chitty Chitty Bang Bang (additional material), and his comedy, The Cemetery Club, which has been produced worldwide, in over two dozen languages. Regional and international productions include Elephant Shoes (World premiere this Summer), The Surprise Party, and the librettos for Smiling Through, The Prince & The Pauper, and Frank Wildhorn’s Xcalibur and Mata Hari.
For the screen, Ivan co-wrote the Adam Sandler/Drew Barrymore romantic comedy, Blended, and an adaptation of his play, The Cemetery Club. He also served as a writer on Universal’s animated feature, Curious George. His musicals, Bonnie & Clyde (starring Jeremy Jordan) and Death Note, have both been filmed live on stage.
An Emmy nominated television writer and producer, he created the critically acclaimed Showtime series, Bedtime, starring Felicity Huffman, and served as Writer/Producer on the long-running CBS hit comedy, The Nanny, starring Fran Drescher; Time of Your Life, starring Jennifer Love Hewitt and Jennifer Garner; Phil of the Future (Disney); and JONAS, starring the Jonas Brothers.
Ivan is a graduate of the Yale School of Drama and the recipient of a Fulbright fellowship for his playwriting.
Jack Murphy is a lyricist and composer known for his contributions to several prominent productions, such as The Civil War, Wonderland, and Rudolf: The Last Kiss. As a self-taught pianist, he has been passionately creating and writing music since his early twenties. Initially working on his own projects, he later teamed up with Frank Wildhorn, leading to a fruitful collaboration on various works.
Jack remains dedicated to his craft, writing every day and looking forward to new opportunities ahead!
Stephen is a theatre and live performance director whose work spans the West End, major concert events and television. Directing credits include Terrible Influence (London Palladium & World Tour), Diary of a CEO Live (London Palladium, UK & Ireland Tour), West Side Story (Edinburgh International Festival & BBC Proms at the Royal Albert Hall), Putting It Together and The Last Five Years (Lyric Theatre, Belfast), Elegies for Angels, Punks and Raging Queens (West End), the world premiere of J.B. Priestley’s Benighted (Off West End Award nomination for Best Director), and You Forgot The Mince (UK Tour).
As Associate Director, Stephen has worked on productions including Hamilton (West End, UK & Ireland Tour), Moulin Rouge! The Musical (West End, Broadway & Germany), 42nd Street (West End) and From Here To Eternity (West End).
Alongside theatre work, Stephen has created and directed performances for television including Strictly Come Dancing, Britain’s Got Talent, Big Night of the Musicals and the Royal Variety Performance.
Stephen is also the inaugural Director of Performing Arts at Cranleigh School, and trained at The Arts Educational Schools London, and The Dance School of Scotland.
Originally trained as a musician at Oxford University and Royal Academy of Music, Jon retrained on the Motley Theatre Design Course graduating as a Linbury Prize finalist in 2000. Since then he has designed extensively in dance, opera and theatre for companies worldwide including The Royal Opera House, Royal National Theatre, National Theatre of Scotland, Abbey Theatre Dublin, Young Vic London, Theatre de Complicité, and both Finnish and Norwegian National Ballets. As an associate artist of the Royal Shakespeare Company, he designed numerous productions including Hamlet, King Lear, The Winter’s Tale and the entire 2012 Shipwrecked season. He designed the opening ceremony of the 2012 Paralympic Games in London and the flame lighting ceremony for the 2014 Winter Paralympics, and has recently been nominated for an Emmy Award for his Production Design for the Redbull parkour film Human Pinball.
Theatre credits include: King Lear starring and directed by Kenneth Branagh (West End/The Shed, NY); the stage version of Miyazaki’s legendary anime film, Spirited Away (Toho, Japan/London Coliseum); Stephen Sondheim’s Into the Woods (Theatre Royal, Bath); Bat Out of Hell (London/Germany/Toronto/New York/Las Vegas); Wicked (Stage Entertainment, Hamburg); True West (West End); Oedipus (Tokyo); Tree (Young Vic/Manchester International Festival); The Band – the Take That Musical (West End/UK Tour); The Grinning Man (Bristol Old Vic/West End); Force Majeur (Donmar); The James Plays (National Theatre/National Theatre Scotland/World tour) and James IV (Scottish tour); Ghost Stories (West End/Toronto/Moscow/Melbourne); Lord of the Flies (Regent’s Park Open Air Theatre); Mametz (National Theatre of Wales); You For Me For You (Royal Court).
Dance credits include: The Nutcracker (Norwegian National Ballet), several designs for Ballet Rambert, the Royal Opera House and Netherlands Dans Theater, and works by Liam Scarlett for the Royal Ballet, Norwegian National Ballet and English National Ballet.
Opera credits include: Ainadamar (Metropolitan Opera, Scottish Opera, Detroit Opera, Welsh National Opera); Serse, Golden Dragon, Rigoletto, Viktoria & Her Husar, A Midsummer Night’s Dream, La Bohème, Tales of Hoffman (Oper Halle); Cendrillon (Glyndebourne); Die Walküre (Bordeaux National Opera); The Knot Garden (Theatre an der Wien); The Lighthouse (Montepulciano) and Agrippina (Grange Park Opera).
Other work includes: The new Arcola Theatre in London and the World Health Organisation’s pavilion for COP27 co-designed with Invisible Flock.
Fabian is a director and choreographer. His work has been critically acclaimed, receiving the 2026 Olivier and WhatsOnStage Awards for Best Theatre Choreographer for his work on Evita. He is three-time Olivier Award nominated and five-time WhatsOnStage nominated, as well as being nominated for Best Creative West End Debut and winning an Off West End Award “OFFIE”. He was recently listed as one of The Stage 100 – a definitive list of theatre’s most influential artists of 2024 and 2026.
Most recently Fabian directed and choreographed A Very Musical Christmas for the Michael Cassel Group (ABC Australia). Before this he choreographed We Will Rock You (Stuttgart, Stage Entertainment) dir. Ben Elton; Evita (London Palladium 2025) dir. Jamie Lloyd (Olivier Award for Best Theatre Choreographer; WhatsOnStage Award for Best Choreography); Sunset Boulevard (Savoy Theatre & Broadway 2024) for the Jamie Lloyd Company, dir. Jamie Lloyd; Much Ado About Nothing (Theatre Royal Drury Lane) dir. Jamie Lloyd; The Tempest (Theatre Royal Drury Lane) dir. Jamie Lloyd; Kathy & Stella Solve a Murder (Ambassadors Theatre) dir. Fabian Aloise & Jon Brittain; In Dreams (Leeds Playhouse) dir. Luke Sheppard; The Spongebob Musical (Southbank Centre & UK Tour) dir. Tara Overfield Wilkinson; Cabaret by Kander and Ebb (at the LIDO 2 in Paris) dir. Robert Carsen.
He was co-director and choreographer for Kathy & Stella Solve a Murder for Francesca Moody Productions (Edinburgh Fringe Festival 2022/23, Bristol Old Vic, Manchester HOME); choreographer for the first non-replica production of Stephen Schwartz’s Wicked in Germany dir. Lindsay Posner; Bring It On – The Musical (UK) by Tom Kitt, Lin Manuel Miranda, Amanda Green and Jeff Whitty; Evita dir. Jamie Lloyd (Regent’s Park Open Air Theatre); The Rink (Southwark Playhouse) starring Caroline O’Connor; Our House UK Tour; The View Upstairs (Soho Theatre); Madagascar the Musical (UK/Asia/Australia/New Zealand); Working (Southwark Playhouse); On the Town (BBC Proms Royal Albert Hall); The 24 Hour Musical dir. Jamie Lloyd (Old Vic).
Jason Howland is a Grammy Award-winning producer, an Emmy Award-winning arranger and orchestrator and a Tony Award-nominated producer. He is the composer of Tony nominees Little Women – The Musical, Paradise Square, and The Great Gatsby, as well as composer of A Man, Ikiru, Tokyo Love Story, Swing Days, The Last Days Of Summer. Upcoming musicals include The Tell Tale Heart, Sympathy for Lady Vengeance, and Calvin.
Howland won an Emmy Award in 2007 for creating, composing and arranging the PBS Christmas special Handel’s Messiah Rocks, and has composed and produced the scores for the award-winning Macy’s 4th of July Fireworks spectacular (2024, 2026) on NBC. Howland was nominated for a Tony Award in 1999 for co-producing the hit Broadway play The Lonesome West and won a Grammy in 2015 for producing the Original Cast Album of Beautiful: The Carole King Musical. He was nominated for a Tony Award in 2022 for composing the score to the Broadway musical Paradise Square and also won the Outer Critics Award for Best Orchestrations.
He is the Arranger, Olivier and Tony-nominated Orchestrator and Music Supervisor for the Broadway musical Shucked and was the Arranger and Music Supervisor for Beautiful: The Carole King Musical (Broadway, West End, US National Tour, Tokyo, Australia Tour and UK Tour). Other theatre credits include Bonnie & Clyde, Wonderland, Jekyll & Hyde, Les Misérables, The Civil War, The Scarlet Pimpernel, Taboo and Spiderman. Jason has worked extensively with Frank Wildhorn over the last 20 years. Alongside Death Note, he orchestrated and supervised the world premiere of Mata Hari (South Korea), The Man Who Laughs (South Korea and Japan), Your Lie In April and Fist Of The North Star (Japan).
Sachiko Nakahara is a costume designer and stylist whose work spans theatre, film, television, advertising, and live performance. After moving to the United States to study fashion, she trained with leading fashion houses, working as an assistant designer and pattern maker while independently pursuing costume design. Upon returning to Japan, she continued training under an established stylist before launching an independent career.
Widely recognized for her versatility, Sachiko combines expertise in costume design with a deep knowledge of Japanese popular culture, including manga, anime, and video games. Her work encompasses character costume design, styling, character development, and hair and make-up design, creating distinctive visual worlds across a wide range of media. In addition to costume design, Sachiko has expanded her creative practice to include logo design, armour and prop design, masks, weapon design, and puppetry.
Theatre credits include: Spirited Away, Kingdom, Maybe Happy Ending, The Secret Garden, The Twelve Kingdoms: Shadow of the Moon, Sea of Shadow, Once, Tootsie, HERO, Oshi no Ko, In This Corner of the World, Nodame Cantabile, BANANA FISH, Hypnosis Mic -Division Rap Battle- Rule the Stage, The Fantasticks, and Grease.
Additional credits include the game and anime franchise: IDOLiSH7 and the Netflix original anime series Terminator Zero. For One Piece-themed attraction Tokyo One Piece Tower, she created original costume and logo designs.
Her work on the West End production of Spirited Away received nominations for Best Costume Design at both the Laurence Olivier Awards and the WhatsOnStage Awards. She is also the recipient of the Audience Award for Best Costume Design for Once and The Twelve Kingdoms: Shadow of the Moon, Sea of Shadow.
Barbican: A Strange Loop. Broadway: The Lost Boys (Tony Nomination), Art, Glengarry Glen Ross, Eureka Day, Mother Play, A Strange Loop (Tony nomination), Death of a Salesman (Tony nomination), 1776, Birthday Candles, Lackawanna Blues, What the Constitution Means to Me, Lifespan of a Fact, Eclipsed, Ghetto Klown. Opera: A Thousand Splendid Suns (Seattle Opera); Die Fledermaus, Les Pêcheurs De Perles (ENO & Metropolitan Opera); Faust, La Traviata, Britten’s Midsummer (Mariinsky, Russia). Obie Award for sustained excellence in design.
Tony Award, Drama Desk, Outer Critics Circle Award for his work on Moulin Rouge! The Musical. A Grammy, Olivier, and ten-time Tony nominee. Selected Broadway designs: Maybe Happy Ending, Just In Time, Death Becomes Her, All In, Moulin Rouge!, Frozen, Anastasia, Beetlejuice, Once On This Island, Something Rotten, King Kong, Rock of Ages, After Midnight, Motown, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway.
Other designs: The Greatest Showman the Musical world premiere in Bristol, UK; Awakening, Le Rêve and Lake of Dreams at Wynn Las Vegas. Peter holds a BFA from Carnegie Mellon University.
Akhila Krishnan is an award-winning projection designer and creative director for moving image and immersive technology. She trained at the Royal College of Art and the National Institute of Design in India and was previously Senior Designer at 59 Productions. Akhila was Interdisciplinary Fellow at the RSC from 2024 to 2025.
Theatre includes: Sinatra (Aldwych Theatre/Birmingham Rep); Grace Pervades (Theatre Royal Haymarket/Theatre Royal Bath); The Tempest, The BFG, Hamlet (Royal Shakespeare Company); Dr Strangelove (Noël Coward Theatre/Bord Gáis); Kyoto (Lincoln Center/@sohoplace/Royal Shakespeare Company); Come Fall In Love – The DDLJ Musical (Manchester Opera House/Old Globe, San Diego); Grenfell: In The Words of Survivors (National Theatre/St Ann’s Warehouse); Withnail and I, What’s New Pussycat (Birmingham Rep); Our Generation (National Theatre/Chichester Festival Theatre); Desire Maps (Les Théâtres de la Ville de Luxembourg/Projekt Europa); Shanghai Dolls (Kiln Theatre); Natasha, Pierre and the Great Comet of 1812 (Pittsburgh CLO); Assassins (Chichester Festival Theatre); Mandela, Chasing Hares (Young Vic); The Two Character Play (Hampstead Theatre); Oliver Twist (Leeds Playhouse/Ramps on the Moon); While You Are Here (The Place/Dance East); Maggot Moon (Unicorn Theatre).
Opera and Classical Music includes: Jocasta’s Line (Den Norsk Opera & Ballet); The Handmaid’s Tale, The Rhinegold, The Valkyrie (English National Opera); O Flower of Fire (Staatsoper Hannover); Die Meistersinger von Nürnberg (Wiener Staatsoper); The Wreckers (Glyndebourne); Samson et Dalila, The Knife of Dawn, Echoes at the Gate, 8bit (Royal Opera House); The Dreaming Species (Fuel); Syllable (Theatre O).
Event design includes: Sound of Colour: Arrivals, Sound of Colour: Origins (Arthouse Jersey); Die Gelbe Tapete (Künstlerstipendium NRW, Cologne); Mamma Mia: The Party (O2 Arena); UpNext (National Theatre Fundraising Gala).
Nominations include: Drama Desk, Outer Critics’ Circle and Lucille Lortel Awards for Outstanding Video & Projection Design (Kyoto); The Stage Award for Innovation (shared with Zoe Spurr and company) (The BFG); WhatsOnStage Award for Best Video Design, BroadwayWorld UK Award for Best Video Design of a New Production of a Play or Musical (What’s New Pussycat?).
Forthcoming work includes: Grayson Perry: The Musical (Soho Walthamstow), The Wreckers (Malmö Opera); Samira (National Theatre), a special commission from SXSW Austin.
Current West End/Other: Paddington; Hercules; Moulin Rouge!; The Book Of Mormon and The Lion King. Current UK/worldwide tours: Mean Girls; Moulin Rouge! World Tour.
Selected West End/UK tours: The Greatest Showman (Bristol); American Psycho (Almeida); TINA: The Tina Turner Musical; Top Hat (Chichester Festival Theatre & tour); The Book of Mormon; Dear Evan Hansen; MJ: The Musical; 50 First Dates; Mean Girls; Natasha, Pierre and the Great Comet Of 1812; Come From Away; Hello Dolly; Ain’t Too Proud; Get Up Stand Up; Beauty and The Beast; On Your Feet!; Dreamgirls; Funny Girl; Sunny Afternoon; Motown; Charlie and the Chocolate Factory; Wind in the Willows; Memphis; Bend It Like Beckham; Legally Blonde; Wicked; Billy Elliot; Top Hat; We Will Rock You; Here Lies Love; Fela! and Spring Awakening.
Theatre includes: Legally Blonde; Sound of Music; Porgy and Bess; Into The Woods; Ragtime; Midsummer Night’s Dream; Lord of the Flies; The Importance of Being Earnest (Regent’s Park Open Air Theatre); Tammy Faye; Spring Awakening; American Psycho; Decade (Almeida); The Sound of Music; Rock Follies; Gypsy; Guys and Dolls; The Pajama Game; Sweeney Todd: The Demon Barber of Fleet Street; Kiss Me Kate; Love Story (Chichester Festival Theatre/West End); Mandela; Tree; Twelfth Night; Far Away (Young Vic).
Future Projects: Fun Home (Manchester Royal Exchange); My Fair Lady (Pitlochry); Billy Elliot (UK Tour & Adelphi).
Awards: Casting Directors Guild 2020 Come From Away; WhatsOnStage 2023 Spring Awakening; Casting Directors Guild 2026 and WhatsOnStage 2026 Paddington: The Musical.
Paul Kieve is one of the world’s leading theatrical illusionists. Broadway credits include the current production of Cats – The Jellicle Ball. Other: Matilda, Ghost (Drama Desk award), Groundhog Day, Pippin, Side Show, An Act of God, The Woman in White, Kenneth Branagh’s Macbeth at The Armory.
West End credits include: Mary Poppins, The Lord of the Rings, Ghost The Musical, Matilda, The Invisible Man, The Witches of Eastwick, Zorro, Our House, Roald Dahl’s The Witches and Scrooge.
Current theatre credits include: Mickey and the Magician (Disneyland Paris) which has been running 10 years and has been seen by over 3 million guests. The Phantom of the Opera (Vienna), Awakening (Wynn, Las Vegas).
Film credits include: Harry Potter and the Prisoner of Azkaban, Hugo (directed by Martin Scorsese), Wonka, Disney’s Snow White.
The Barbican: Dr Jekyll and Mr Hyde and Sam Mendes’ production of The Tempest (RSC). Other RSC work includes The Red Shoes, Arabian Nights and Julius Caesar. National Theatre work includes Theatre of Blood and La Grande Magia.
Opera and ballet credits include: Parsifal (Paris), Das Rheingold (Strasburg), Macbeth (Hamburg) and L’Heure Espagnole (ROH), Alice in Wonderland for ENB and The Royal Ballet.
An honorary lifetime member of The Magic Castle, Hollywood, Paul was awarded their Academy of Magical Arts Creative Fellowship. Other awards include The Magic Circle Maskelyne and an Australian Green Room award – Visual Design (Illusions) – for Groundhog Day, Melbourne. Paul is an Associate Artist of the Old Vic and a Gold Star Member of the Inner Magic Circle.
Credits include: West End/UK – High Society, Pride, Magic, Romeo & Juliet, High Noon, The Last Ship, Paddington – The Musical, Miss Saigon UK Tour, Sing Street, Hercules, Come Fall In Love, Mrs Warren’s Profession, A Knight’s Tale, Muriel’s Wedding, Kinky Boots, Calamity Jane, The Fear Of 13, Juno and the Paycock, The Devil Wears Prada, Starlight Express, Groundhog Day, 42nd Street, Aspects of Love, Guys & Dolls, Hello Dolly!, The King & I, As You Like It, Good, Eureka Day, Anything Goes, Get Up Stand Up, The Drifters Girl, Rosmersholm, All About Eve, St. Joan, One Night in Miami, City of Angels, The Young Chekhov Trilogy, Gypsy, The Bodyguard.
Broadway : A Beautiful Noise, The Music Man, Carousel, Head Over Heels, Three Tall Women, Hello, Dolly!, The Crucible, Misery, Sylvia, A Delicate Balance, Les Misérables.
West End/Broadway : Stranger Things: The First Shadow, The Hills of California, Back to the Future, Funny Girl, Leopoldstadt, To Kill a Mockingbird, Company, A Christmas Carol, Tina – The Tina Turner Musical (Drama Desk Award – Outstanding Wigs and Hair), The Ferryman, Girl from the North Country, Farinelli and the King, Groundhog Day, Charlie and the Chocolate Factory, The Cripple of Inishmaan, Matilda, Ghost, Billy Elliot.
Opera :Un Ballo in Maschera, La Bohème (Bregenz), Anna Nicole (BAM). Film and TV – The Gilded Age, Downton Abbey, Deadpool & Wolverine.
Morgan Reilly is a singer, songwriter, multi-instrumentalist, lyricist, and recording artist, known for her “alien” vocals and a pen that transcends genres.
As a performer, you may know her as “Hummingbird” from the Broadway, National Tour, & Las Vegas companies of Freestyle Love Supreme. Morgan most recently understudied Valerie Bloodlove in the off-Broadway pop-opera Blood/Love. She opened for international pop star Jessie J at The Troubadour in Los Angeles after winning her viral Rose Challenge contest.
As a lyricist, Morgan has been hard at work with her writing partner Frank Wildhorn on his new musical Orlando, opening in Austria December 2027. Morgan’s original music is available on all streaming platforms, with many more songs on the way.
Billy Jay Stein is a Grammy Award-winning music producer, composer, pianist, and electronic music designer whose work spans Broadway, the West End, television, recording, and live entertainment. As Founder and President of Strange Cranium Productions, Billy is widely recognized as one of the industry’s leading specialists in electronic music design, music technology integration, playback systems, virtual instruments, keyboard programming, and large-scale theatrical music production.
Over the past two decades, Billy has helped shape the sound of contemporary musical theatre by bridging traditional orchestration with cutting-edge technology. His work has supported numerous Broadway, West End, touring, and international productions, including MJ The Musical, The Great Gatsby, Mean Girls, Shucked, The Lost Boys, Purple Rain, and many others. Through Strange Cranium, Billy has developed innovative musical systems, including MainBrain®, a proprietary show-control and performance platform that seamlessly integrates live musicians, playback, keyboards, percussion, and custom software into some of the world’s most technically demanding productions.
Through Strange Cranium and Strike Audio, Billy’s work has been featured in hundreds of theatrical productions and thousands of television broadcasts worldwide. Billy is also co-founder of Strike Audio, one of the world’s largest independent production music libraries and music production companies. As a composer and producer, his music has been featured across major networks, streaming platforms, sports programming, documentaries, and entertainment productions around the globe.
Beyond theatre and television, Billy has composed and produced music for numerous high-profile live events, concert productions, and spectaculars, including productions at Radio City Music Hall in New York City. His work as a producer, arranger, composer, and performer has been heard on some of the world’s most prestigious stages, including Carnegie Hall, and he has collaborated and performed alongside many of the entertainment industry’s most celebrated artists and musicians.
Combining the disciplines of composer, producer, technologist, and performer, Billy continues to push the boundaries of modern music production and live performance, helping creative teams realize ambitious artistic visions on stages and screens around the world.